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Top-level
 What I'm listening to today: "Make Noise | Strega with Pocket Operator PO-33 Session 221119", ナカヤマコウジ This is a short and simple, kind of ambient / abstract trip-hop piece made with a handheld sampler and the Strega, a synthesizer/effects unit (co-designed by… Alessandro Cortini, again). Not super attention-grabbing or anything and it's over near as soon as it starts, but it sounds really cool and it creates some nice distinct moods before it goes. 90 comments
What I'm listening to today: "Push for Woogies", tvvt This is an acid techno jam posted on the synthesizer subreddit this morning based around what I think is a Moog Sub37 and a bunch of Electron boxes. It's messy but very fun; I like how the first 20 seconds or so sound like just random noises until the bass drum drops and suddenly everything snaps into place. https://www.reddit.com/r/synthesizers/comments/10csghi/push_for_woogies/ What I'm listening to today: "Soma Pulsar 23 - Dark Minimal performance", Deaftone Audio A small, hissy percussion piece ("microhouse"? Is this what "microhouse" is? Maybe nanohouse?) with some really good sounds, including an acid bassline rigged out of a Pulsar drum channel. In my opinion a good way to spend four minutes. What I'm listening to today: "Particle Hands", HELL F.O HELL F.O has a bunch of fun stuff posted— they've appeared in this thread before— and it's practically all abstract, ambient noise music. So this track is an interesting surprise just by being a completely listenable, borderline-pop dance techno piece. Still some interesting sound design, mind you! But drop this into a club set with some bass EQ and I think the crowd would eat it up. What I'm listening to today: "Choralberg", Alex Siebenhaar In this video, a man wearing a bluescreen for a hat sits on a carpet and steers some racks of synths (and one analog drum machine) through a cryptic, funky melody. Just as you think you understand where it's going, it ends; you find yourself wanting more. What I'm listening to today: "Filthy Miksher - Demo Jam", Deaftone Audio This pairs a Pulsar and an acid bass groovebox with some kind of noisemaker box based on a spring attached to a contact microphone. It starts as ambient noise and then grows into a bumping rhythm without ever containing… anything except noise, actually, so you've just got this gradually escalating percussive techno piece made up of different noise textures. I like it What I'm listening to today: "Ufouria" title theme (iNES 0.9 glitched version), Naoki Kodaka (Sunsoft) iNES 0.9 for Mac OS 9 had an audio bug affecting only a few games (including "Hebereke", aka "Ufouria") causing the noise and PCM channels to be very loud and distorted. In my opinion, this improves the music *tremendously*, giving it a wild industrial/IDM flavor. The first time I played Ufouria it sounded like this, and I didn't know it was a bug. So this is the canonical soundtrack to me. What I'm listening to today: "Hoss featuring the PERKONS HD-01", Generative Jane This one is a wild ride, starting with a blast of strange FM noises and then immediately dropping hard into a gradually-mutating industrial dance beat. This is the kind of music you'd show opening credits to, probably over establishing shots of a futuristic city, or possibly people riding futuristic motorcycles at great speed to no particular obvious destination. What I'm listening to today: "Ambient Improvisation Elektron digitone and Moog Mother 32", Surgeons Girl This track gets a lot of mileage out of fairly minimal elements, synth stabs fighting to rise above the water of a ocean of sorrowful foghorn hums. Sometimes I feel like attempting to describe these pieces makes them lesser and that's definitely something I'd worry about here, this is something meant just to be felt rather than intellectualized. What I'm listening to today: "Verbos + Mimeophon Jam", Deaftone Audio This video is essentially a single held note and some rhythmic clicking for eight minutes, but the musician, hand-driving a complicated modular feedback machine, thoroughly explores every point in the configuration space of that constrained premise, taking you on a journey through a small universe of minimal ambient destinations. It's all very hypnotic and maybe a little sinister. |
Gregory's Server
What I'm listening to today: "Pulsar 23, THYME, and Generation Loss MKII - Destruction Jam", nealwho
This one uses a Pulsar playing a gritty industrial drum loop, but the centerpiece is a guitar pedal that simulates the sound of degraded magnetic tape on a poorly maintained player. This, and an unusual (sequenceable) bitcrushing delay-echo by Bastl, place the loop on a rack and stretch it into 10 minutes of muffled, unsettling error noises. William Basinski in real time
https://www.youtube.com/watch?v=oQatVhfxHK0
What I'm listening to today: "Pulsar 23, THYME, and Generation Loss MKII - Destruction Jam", nealwho
This one uses a Pulsar playing a gritty industrial drum loop, but the centerpiece is a guitar pedal that simulates the sound of degraded magnetic tape on a poorly maintained player. This, and an unusual (sequenceable) bitcrushing delay-echo by Bastl, place the loop on a rack and stretch it into 10 minutes of muffled, unsettling error noises. William Basinski in real time