What I'm listening to today: "LENTIL2C33MOD 400Hz 23", Rzeczy
This song was produced from an NES sound chip, but doesn't sound anything like an NES because:
- It's got the wavetable channel from the Famicom Disk System;
- The sound chip has been overclocked to make possible synthesis techniques (like audio-rate PWM) a normal NES could have never done
The musician uses these powers to make some sick industrial-feeling… "electro breakcore"? EDM genre names are gibberish
What I'm listening to today: "Zone J" (Rescue Rangers), Harumi Fujita (Capcom)
Do you ever think about how there's a basically finite number of possible "songs", but our attribution/copyright systems assume each piece of music is written only once? So like what if the most beautiful piano song ever got stuck in a toothpaste commercial. Or if one of the greatest electro-pop hooks ever wound up in the final level of an NES game and is now just "retro game music" forever
https://www.youtube.com/watch?v=u0EnL4M1jjE
What I'm listening to today: "Zone J" (Rescue Rangers), Harumi Fujita (Capcom)
Do you ever think about how there's a basically finite number of possible "songs", but our attribution/copyright systems assume each piece of music is written only once? So like what if the most beautiful piano song ever got stuck in a toothpaste commercial. Or if one of the greatest electro-pop hooks ever wound up in the final level of an NES game and is now just "retro game music" forever