|
Top-level
 What I'm listening to today: "Parallax" loader music, Martin Galway (Sensible Software) This is My Other Favorite C64 Song, besides Sanxion. This track contains no percussion whatsoever and just takes you on an epic 12-minute journey of every sound possible from grinding detuned saw waveforms, ending with a single 2-minute sound I cannot describe and which sounds different in every recording, I think because it actually sounds different on different SID chip revisions. 59 comments
What I'm listening to today: "Hoss featuring the PERKONS HD-01", Generative Jane This one is a wild ride, starting with a blast of strange FM noises and then immediately dropping hard into a gradually-mutating industrial dance beat. This is the kind of music you'd show opening credits to, probably over establishing shots of a futuristic city, or possibly people riding futuristic motorcycles at great speed to no particular obvious destination. What I'm listening to today: "Ambient Improvisation Elektron digitone and Moog Mother 32", Surgeons Girl This track gets a lot of mileage out of fairly minimal elements, synth stabs fighting to rise above the water of a ocean of sorrowful foghorn hums. Sometimes I feel like attempting to describe these pieces makes them lesser and that's definitely something I'd worry about here, this is something meant just to be felt rather than intellectualized. What I'm listening to today: "Verbos + Mimeophon Jam", Deaftone Audio This video is essentially a single held note and some rhythmic clicking for eight minutes, but the musician, hand-driving a complicated modular feedback machine, thoroughly explores every point in the configuration space of that constrained premise, taking you on a journey through a small universe of minimal ambient destinations. It's all very hypnotic and maybe a little sinister. What I'm listening to today: "Modular jam with Volca Modular, Korg NTS-1 and Playtronica Touch Me", ITSME This is a short, peaceful synth piece performed on a tree. Like, uh. This person got hold of a device that converts current (capacitance?) changes from human touch into MIDI, and then they wired it to a small tree. So the harder they squeeze the tree the higher the note on the Volca Modular goes. Anyway, it's a real nice song. What I'm listening today: "7:10", Plug Luke Vibert is a man of many names and many styles. This is the first track on Plug EP 1, which was released as "Visible Crater Funk" in Europe or mashed into CD 2 of "Drum & Bass for Papa" in the US. This is D&B (Jungle?) by the basics but the basics are pushed to a point of total chaos. Amen break in a blender to create a maelstrom of drums, and discomfiting, minimal synth tones. It grabs you really well. What I'm listening to today: "Viewpoint", LTJ Bukem [CONTINUING] —and then this lovely track, which blows past D&B's occasional aspirations to being an intellectual descendent of jazz by just, like… making some jazz. "Viewpoint" is a refreshing, bouncy showcase of jazz bass, electric piano riffs and, at one point, threaded in sneakily, the violin sample that "Point of View" (the previous track on the album) deconstructs. Just such a good feeling to it. |
Gregory's Server
What I'm listening to today: "真実を信頼する", Oblique Occasions
This is a track from a deeply confusing album from some sixth-generation "Vaporwave" group on Bandcamp. Like 80% of this is Signifiers and they are not Legible to me. (Sorry, I went to an academic unconference today and am still Talking Like That.)
Anyway! This one track is a really lovely fusion-jazz(?)/hip-hop/trip-hop groove of the kind I spent most of the 00s listening to. Beats and electric pianos.
https://obliqueoccasions.bandcamp.com/track/--105
What I'm listening to today: "真実を信頼する", Oblique Occasions
This is a track from a deeply confusing album from some sixth-generation "Vaporwave" group on Bandcamp. Like 80% of this is Signifiers and they are not Legible to me. (Sorry, I went to an academic unconference today and am still Talking Like That.)