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mcc

What I'm listening to today: "Steal My Soul", Rahzel

Rahzel is a legendary beatboxer, known for his work in the Roots and various collaborations (Björk's Medulla). He released 1 solo album, "Make The Music 2000" (it's a Biz Markie reference), an odd album with less beatboxing than you'd expect. It does have an infamous live Missy Elliot cover, and this absolutely lovely, spooky, nearly-all-voice jazz track. You won't realize how much of it is voice until the 2nd listen.

youtube.com/watch?v=ugZfdFJwrd

23 Jan 2023 at 20:16 | Open on mastodon.social
77 comments
mcc replied to mcc

What I'm listening to today: "Mea Culpa", David Bryne and Brian Eno

In 1981, between "Once in a Lifetime" and "Burning Down the House", Talking Heads frontman Bryne made an instrumental album with ambient music creator-deity Eno, built around samples from AM radio & West African music. "Mea Culpa" is a dreamy wash that feels decades ahead of its time.

The proto-music-video "short film" below is by Bruce Conner, and IMO is inseparable from the song. * Warning, flashing.

youtube.com/watch?v=vQyT9aEeLE

What I'm listening to today: "Mea Culpa", David Bryne and Brian Eno

In 1981, between "Once in a Lifetime" and "Burning Down the House", Talking Heads frontman Bryne made an instrumental album with ambient music creator-deity Eno, built around samples from AM radio & West African music. "Mea Culpa" is a dreamy wash that feels decades ahead of its time.

24 Jan 2023 at 20:08 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "2 Miles", 12 Rounds

You know that Atticus Ross guy co-credited on all Trent Reznor's film scores? In the 90s he and his wife were a band called "12 Rounds" I'd describe as Portishead crossed with Vampire: The Masquerade. Almost nobody liked this album except me and Trent Reznor (who liked it enough to hire the guy to produce, like, all his albums). Every song on it has something special happening, but this understated track is my favorite.

youtube.com/watch?v=XK6Xf-dS4g

What I'm listening to today: "2 Miles", 12 Rounds

You know that Atticus Ross guy co-credited on all Trent Reznor's film scores? In the 90s he and his wife were a band called "12 Rounds" I'd describe as Portishead crossed with Vampire: The Masquerade. Almost nobody liked this album except me and Trent Reznor (who liked it enough to hire the guy to produce, like, all his albums). Every song on it has something special happening, but this understated track is my favorite.

25 Jan 2023 at 20:01 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Phantom Limb", Hovercraft

Hovercraft was an experimental noise-rock band from the 90s with an almost total disinterest in "notes". This album's release was dogged by confusing, inaccurate rumors Eddie Vedder secretly performed on it (he was married to the bassist at the time and may or may not have played drums in some of their live shows).

This song has a lovely dark mood; the bassline has been my go-to synthesizer test melody for years.

youtube.com/watch?v=i7o2BMR66S

What I'm listening to today: "Phantom Limb", Hovercraft

Hovercraft was an experimental noise-rock band from the 90s with an almost total disinterest in "notes". This album's release was dogged by confusing, inaccurate rumors Eddie Vedder secretly performed on it (he was married to the bassist at the time and may or may not have played drums in some of their live shows).

26 Jan 2023 at 20:03 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Mr. Mistake (Boards of Canada remix)", Nevermen

Okay so try to follow, this is:

- Tunde Adebimpe (previously vocalist of TV on the Radio)

- Mike Patton (aka Mr. Bungle, previously vocalist of Faith No More)

- Adam Drucker (previously vocalist in cLOUDDEAD)

- Boards of Canada (production)

…all together on one single track. And it's *incredible*. BoC at their best dispensing Feelings and the words have been circling in my head for years.

youtube.com/watch?v=cS1lMn42l0

What I'm listening to today: "Mr. Mistake (Boards of Canada remix)", Nevermen

Okay so try to follow, this is:

- Tunde Adebimpe (previously vocalist of TV on the Radio)

- Mike Patton (aka Mr. Bungle, previously vocalist of Faith No More)

- Adam Drucker (previously vocalist in cLOUDDEAD)

- Boards of Canada (production)

27 Jan 2023 at 20:04 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Divine and Bright", Earth ft. Kelly Canary and Kurt Cobain

Earth is a "doom metal"/drone band I am much enamored with, consisting of Dylan Carlson and whoever else is in the room at the moment. They have almost no songs with vocals, but one exception is this 1990 collaboration with a screaming woman and also Kurt Cobain of Nirvana, who was close friends with Carlson. This might just confuse you, or maybe you'll find the mood delightful.

youtube.com/watch?v=Xi8f5cub7-

What I'm listening to today: "Divine and Bright", Earth ft. Kelly Canary and Kurt Cobain

Earth is a "doom metal"/drone band I am much enamored with, consisting of Dylan Carlson and whoever else is in the room at the moment. They have almost no songs with vocals, but one exception is this 1990 collaboration with a screaming woman and also Kurt Cobain of Nirvana, who was close friends with Carlson. This might just confuse you, or maybe you'll find the mood delightful.

28 Jan 2023 at 21:20 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Orange Twin Field Works (Vol.I)", Jeff Mangum

Neutral Milk Hotel (Jeff) in 1998 became the biggest name in indie rock, then just… stopped. Before he went he released this one strange and amazing thirty-minute recording (there is no Vol. 2) of field recordings of Bulgarian folk music from the Koprivshtitsa festival, mixed together in a way that perfectly captures the larger-than-life feeling of live music on foot. This is game design, to me.

youtube.com/watch?v=StnhhR_S-m

What I'm listening to today: "Orange Twin Field Works (Vol.I)", Jeff Mangum

Neutral Milk Hotel (Jeff) in 1998 became the biggest name in indie rock, then just… stopped. Before he went he released this one strange and amazing thirty-minute recording (there is no Vol. 2) of field recordings of Bulgarian folk music from the Koprivshtitsa festival, mixed together in a way that perfectly captures the larger-than-life feeling of live music on foot. This is game design, to me.

29 Jan 2023 at 20:06 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Cinematic Music | Moog Grandmother + MiniKORG700FS | A Love Letter To Synths from A Student for Life", HEYMUN

This is a dreamy piece where the musician sets a few synthesizers running on patterns and plays piano along with it. It's highly structured, but sneakily so. On surface it just feels chaotic; it feels as if two unrelated pieces of music happen to be playing at once but somehow keep converging in interesting ways.

Just float in it.

youtube.com/watch?v=R2YFw8JJjm

What I'm listening to today: "Cinematic Music | Moog Grandmother + MiniKORG700FS | A Love Letter To Synths from A Student for Life", HEYMUN

This is a dreamy piece where the musician sets a few synthesizers running on patterns and plays piano along with it. It's highly structured, but sneakily so. On surface it just feels chaotic; it feels as if two unrelated pieces of music happen to be playing at once but somehow keep converging in interesting ways.

30 Jan 2023 at 19:54 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Perkons HD-01 Bassline and OXI ONE sequencer Jam", Mark Cee

This guy spent a couple months posting jams with this large, unusual blue drum machine and I kept watching his videos like a hawk thinking… eventually he's gonna make something awesome. Eventually he did, with this complex, clicky 6-minute dance techno bop for an entire crowd of people enjoying standing at the back of a room holding drinks and bobbing their heads but not dancing.

youtube.com/watch?v=INLx7tAVoV

What I'm listening to today: "Perkons HD-01 Bassline and OXI ONE sequencer Jam", Mark Cee

This guy spent a couple months posting jams with this large, unusual blue drum machine and I kept watching his videos like a hawk thinking… eventually he's gonna make something awesome. Eventually he did, with this complex, clicky 6-minute dance techno bop for an entire crowd of people enjoying standing at the back of a room holding drinks and bobbing their heads but not dancing.

31 Jan 2023 at 20:35 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Choralberg", Alex Siebenhaar

In this video, a man wearing a bluescreen for a hat sits on a carpet and steers some racks of synths (and one analog drum machine) through a cryptic, funky melody. Just as you think you understand where it's going, it ends; you find yourself wanting more.

youtube.com/watch?v=9f81UbrzrT

1 Feb 2023 at 19:58 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "crisping.1 #‍lofi #‍ambient #‍chaseblissgenerationlossmk2 #‍glitch", [moos]

It's not very hard to reproduce Boards of Canada's style, especially not since cassette equipment became a common modular synth add-on. But this piece, based around that guitar pedal that fakes tape degradation, is special, mixing tattered synth pads with a death-march beat that refuses to find a rhythm. It's scary actually, like something's gone horribly wrong.

youtube.com/watch?v=D5_hfSs9Pn

What I'm listening to today: "crisping.1 #‍lofi #‍ambient #‍chaseblissgenerationlossmk2 #‍glitch", [moos]

It's not very hard to reproduce Boards of Canada's style, especially not since cassette equipment became a common modular synth add-on. But this piece, based around that guitar pedal that fakes tape degradation, is special, mixing tattered synth pads with a death-march beat that refuses to find a rhythm. It's scary actually, like something's gone horribly wrong.

2 Feb 2023 at 20:38 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Pulsar 23 - Sounds you don't usually hear coming from it"

Occasionally in this thread I've praised songs for adapting Pulsar-23 drum channels for non-percussive purposes. This track is *only that*, the dude does not turn on the drum sequencer, clips on a device designed to turn circuit EMF leakage into sound?, and makes something approximating a jazz piano solo alternated with gunky glitch dub sounds. Very weird noises even by my standards.

youtube.com/watch?v=y3rfaHNxvk

What I'm listening to today: "Pulsar 23 - Sounds you don't usually hear coming from it"

Occasionally in this thread I've praised songs for adapting Pulsar-23 drum channels for non-percussive purposes. This track is *only that*, the dude does not turn on the drum sequencer, clips on a device designed to turn circuit EMF leakage into sound?, and makes something approximating a jazz piano solo alternated with gunky glitch dub sounds. Very weird noises even by my standards.

3 Feb 2023 at 20:07 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Filthy Miksher - Demo Jam", Deaftone Audio

This pairs a Pulsar and an acid bass groovebox with some kind of noisemaker box based on a spring attached to a contact microphone. It starts as ambient noise and then grows into a bumping rhythm without ever containing… anything except noise, actually, so you've just got this gradually escalating percussive techno piece made up of different noise textures. I like it

youtu.be/1rWoRBNt11M

4 Feb 2023 at 21:14 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "pulsar 23 rhythmic explorations", clyv

This is 14 minutes of a musician fiddling with a Pulsar-23 drum machine. There are periodic cuts, so I assume this is edited down from a longer recording, leaving only the moments they found a good Beat. Not quite a song, this is like the skeletons of 20 different songs, awaiting someone to loop them and add something more than drums. Good beats tho, and good background if you let your focus wander.

youtube.com/watch?v=NONbMk8kPy

What I'm listening to today: "pulsar 23 rhythmic explorations", clyv

This is 14 minutes of a musician fiddling with a Pulsar-23 drum machine. There are periodic cuts, so I assume this is edited down from a longer recording, leaving only the moments they found a good Beat. Not quite a song, this is like the skeletons of 20 different songs, awaiting someone to loop them and add something more than drums. Good beats tho, and good background if you let your focus wander.

5 Feb 2023 at 23:10 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "LENTIL2C33MOD 400Hz 23", Rzeczy

This song was produced from an NES sound chip, but doesn't sound anything like an NES because:

- It's got the wavetable channel from the Famicom Disk System;
- The sound chip has been overclocked to make possible synthesis techniques (like audio-rate PWM) a normal NES could have never done

The musician uses these powers to make some sick industrial-feeling… "electro breakcore"? EDM genre names are gibberish

youtube.com/watch?v=LxTg70xeMM

What I'm listening to today: "LENTIL2C33MOD 400Hz 23", Rzeczy

This song was produced from an NES sound chip, but doesn't sound anything like an NES because:

- It's got the wavetable channel from the Famicom Disk System;
- The sound chip has been overclocked to make possible synthesis techniques (like audio-rate PWM) a normal NES could have never done

6 Feb 2023 at 20:06 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Zone J" (Rescue Rangers), Harumi Fujita (Capcom)

Do you ever think about how there's a basically finite number of possible "songs", but our attribution/copyright systems assume each piece of music is written only once? So like what if the most beautiful piano song ever got stuck in a toothpaste commercial. Or if one of the greatest electro-pop hooks ever wound up in the final level of an NES game and is now just "retro game music" forever

youtube.com/watch?v=u0EnL4M1jj

What I'm listening to today: "Zone J" (Rescue Rangers), Harumi Fujita (Capcom)

Do you ever think about how there's a basically finite number of possible "songs", but our attribution/copyright systems assume each piece of music is written only once? So like what if the most beautiful piano song ever got stuck in a toothpaste commercial. Or if one of the greatest electro-pop hooks ever wound up in the final level of an NES game and is now just "retro game music" forever

7 Feb 2023 at 20:02 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Ultraviolet", gasman

Since discovering Stardust I've been watching a lot of ZX Spectrum demos; it's a neat demo platform because it CAN do near anything, but nothing's easy. This 2017 demo is a charming mix of bracingly earnest and legitimately hype, both in the visuals (which YouTube HATES) and the chiptune.

Incidentally, if you know how the ZX works, the still images at the end of the demo are the most technically impressive thing here.

youtube.com/watch?v=_aeNtFCaYt

What I'm listening to today: "Ultraviolet", gasman

Since discovering Stardust I've been watching a lot of ZX Spectrum demos; it's a neat demo platform because it CAN do near anything, but nothing's easy. This 2017 demo is a charming mix of bracingly earnest and legitimately hype, both in the visuals (which YouTube HATES) and the chiptune.

8 Feb 2023 at 20:02 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Ufouria" title theme (iNES 0.9 glitched version), Naoki Kodaka (Sunsoft)

iNES 0.9 for Mac OS 9 had an audio bug affecting only a few games (including "Hebereke", aka "Ufouria") causing the noise and PCM channels to be very loud and distorted. In my opinion, this improves the music *tremendously*, giving it a wild industrial/IDM flavor.

The first time I played Ufouria it sounded like this, and I didn't know it was a bug. So this is the canonical soundtrack to me.

9 Feb 2023 at 20:06 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Parallax" loader music, Martin Galway (Sensible Software)

This is My Other Favorite C64 Song, besides Sanxion. This track contains no percussion whatsoever and just takes you on an epic 12-minute journey of every sound possible from grinding detuned saw waveforms, ending with a single 2-minute sound I cannot describe and which sounds different in every recording, I think because it actually sounds different on different SID chip revisions.

youtube.com/watch?v=igVxjCecmE

What I'm listening to today: "Parallax" loader music, Martin Galway (Sensible Software)

This is My Other Favorite C64 Song, besides Sanxion. This track contains no percussion whatsoever and just takes you on an epic 12-minute journey of every sound possible from grinding detuned saw waveforms, ending with a single 2-minute sound I cannot describe and which sounds different in every recording, I think because it actually sounds different on different SID chip revisions.

10 Feb 2023 at 20:46 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "真実を信頼する", Oblique Occasions

This is a track from a deeply confusing album from some sixth-generation "Vaporwave" group on Bandcamp. Like 80% of this is Signifiers and they are not Legible to me. (Sorry, I went to an academic unconference today and am still Talking Like That.)

Anyway! This one track is a really lovely fusion-jazz(?)/hip-hop/trip-hop groove of the kind I spent most of the 00s listening to. Beats and electric pianos.

obliqueoccasions.bandcamp.com/

What I'm listening to today: "真実を信頼する", Oblique Occasions

This is a track from a deeply confusing album from some sixth-generation "Vaporwave" group on Bandcamp. Like 80% of this is Signifiers and they are not Legible to me. (Sorry, I went to an academic unconference today and am still Talking Like That.)

12 Feb 2023 at 0:47 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "海​に​憎​し​み​を​叫​ぶ", Oblique Occasions

This is another track from the same album I posted yesterday, but it's what I'm posting anyway, because who's going to stop me? This is one of a few tracks from this album that sound like lost music from a PS1 JRPG— and might actually be, since one of the other tracks is literally a Castlevania cover.

I like how this mimics that sound from tracker music where each violin sample starts as if in isolation.

obliqueoccasions.bandcamp.com/

What I'm listening to today: "海​に​憎​し​み​を​叫​ぶ", Oblique Occasions

This is another track from the same album I posted yesterday, but it's what I'm posting anyway, because who's going to stop me? This is one of a few tracks from this album that sound like lost music from a PS1 JRPG— and might actually be, since one of the other tracks is literally a Castlevania cover.

12 Feb 2023 at 20:29 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Hoss featuring the PERKONS HD-01", Generative Jane

This one is a wild ride, starting with a blast of strange FM noises and then immediately dropping hard into a gradually-mutating industrial dance beat. This is the kind of music you'd show opening credits to, probably over establishing shots of a futuristic city, or possibly people riding futuristic motorcycles at great speed to no particular obvious destination.

youtube.com/watch?v=xCMWWiEjWu

13 Feb 2023 at 20:53 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Puppet Master", ZyeKali

This rocking chaos-&-strings jam was made with the Pocket Operator handheld sampler and a hand-modded "Chaos NAND" (seems to be an Atari Punk Console variant). Instead of using the Pocket Operator's sequencer, the musician plays the PO and Chaos NAND by hand, then samples the sampler, layering eight performances on top of each other. I *think* the colored Launchpad grid is starting and stopping the other video clips.

youtube.com/watch?v=hZ1ZF4Oojo

What I'm listening to today: "Puppet Master", ZyeKali

This rocking chaos-&-strings jam was made with the Pocket Operator handheld sampler and a hand-modded "Chaos NAND" (seems to be an Atari Punk Console variant). Instead of using the Pocket Operator's sequencer, the musician plays the PO and Chaos NAND by hand, then samples the sampler, layering eight performances on top of each other. I *think* the colored Launchpad grid is starting and stopping the other video clips.

14 Feb 2023 at 21:22 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Hardware Jam 0006 // Shared System and Friends // 162bpm atmospheric drum n' bass", kaleidasonic

This is a neat mix of a classical 90s Drum & Bass beat with modern modular-synthesizer sound design; it starts with 2 minutes of random-notes ambient, then drops an Amen and a lovely chonky bass and keeps evolving in interesting new directions for the entire 15 minute runtime. (Those without long attention spans may wanna quit around minute 7.)

youtube.com/watch?v=pfAQxyx5Vn

What I'm listening to today: "Hardware Jam 0006 // Shared System and Friends // 162bpm atmospheric drum n' bass", kaleidasonic

This is a neat mix of a classical 90s Drum & Bass beat with modern modular-synthesizer sound design; it starts with 2 minutes of random-notes ambient, then drops an Amen and a lovely chonky bass and keeps evolving in interesting new directions for the entire 15 minute runtime. (Those without long attention spans may wanna quit around minute 7.)

15 Feb 2023 at 20:33 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Ambient improvisation 4 (Soma Enner + Cosmos)", Più

Cosmos is an "asymmetric looper"—a loop pedal whose loops are of varying lengths and so can drift in phase against each other. Here it's fed with tiny sound fragments (with such sources as small plastic frog, whose shape is sonified by rubbing it against the Enner's case and spring reverb) to build up an all-enveloping ambient soundscape partway between a rainpipe and a horror movie score.

youtube.com/watch?v=mpY9hW_My9

What I'm listening to today: "Ambient improvisation 4 (Soma Enner + Cosmos)", Più

Cosmos is an "asymmetric looper"—a loop pedal whose loops are of varying lengths and so can drift in phase against each other. Here it's fed with tiny sound fragments (with such sources as small plastic frog, whose shape is sonified by rubbing it against the Enner's case and spring reverb) to build up an all-enveloping ambient soundscape partway between a rainpipe and a horror movie score.

16 Feb 2023 at 20:05 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Lysergenesis", Lauri Paisley

Paisley in the early 80s was VP of the "International Electronic Music Association", which I've never heard of; this was the final song on a cassette album, "Real-to-Reel", she released in 1983. Not so much a soundscape as an ambient ocean you plunge into and possibly drown, this is probably the most progressive electronic music you're going to find in 1983; 15 minutes of synths following a weird internal logic.

anvilcreations.bandcamp.com/tr

What I'm listening to today: "Lysergenesis", Lauri Paisley

Paisley in the early 80s was VP of the "International Electronic Music Association", which I've never heard of; this was the final song on a cassette album, "Real-to-Reel", she released in 1983. Not so much a soundscape as an ambient ocean you plunge into and possibly drown, this is probably the most progressive electronic music you're going to find in 1983; 15 minutes of synths following a weird internal logic.

17 Feb 2023 at 20:00 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "SOMA PULSAR 23: Live Jam with Microcosm", Among the Trees

This track is incredibly mysterious; there *is* a Pulsar drum machine in here, but it seems to only exist to agitate a chain of reverb filters rigged to produce an enormous, shimmering rushing noise with seemingly little to do with the input.

I would describe this as the music from a movie from the 60s-70s that plays while the protagonists wordlessly explore an alien spaceship.

youtube.com/watch?v=Bsn2TY7LpK

What I'm listening to today: "SOMA PULSAR 23: Live Jam with Microcosm", Among the Trees

This track is incredibly mysterious; there *is* a Pulsar drum machine in here, but it seems to only exist to agitate a chain of reverb filters rigged to produce an enormous, shimmering rushing noise with seemingly little to do with the input.

20 Feb 2023 at 20:01 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "lofi ambient with lubadh rings morphagene beads shallowwater and nightsky",
[moos]

A chill ambient piece where several large slabs of modular synthesizer, with help from a hand reaching in to tweak something once a minute or so, produces ten minutes of generated-melody tones and plucks and simulated tape wobble. Really good feeling to it, the kind of music you'd hear it distantly, follow it into the woods and never be seen again.

youtube.com/watch?v=q1Wrr9r_EV

What I'm listening to today: "lofi ambient with lubadh rings morphagene beads shallowwater and nightsky",
[moos]

A chill ambient piece where several large slabs of modular synthesizer, with help from a hand reaching in to tweak something once a minute or so, produces ten minutes of generated-melody tones and plucks and simulated tape wobble. Really good feeling to it, the kind of music you'd hear it distantly, follow it into the woods and never be seen again.

21 Feb 2023 at 20:42 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Ambient Improvisation Elektron digitone and Moog Mother 32", Surgeons Girl

This track gets a lot of mileage out of fairly minimal elements, synth stabs fighting to rise above the water of a ocean of sorrowful foghorn hums. Sometimes I feel like attempting to describe these pieces makes them lesser and that's definitely something I'd worry about here, this is something meant just to be felt rather than intellectualized.

youtube.com/watch?v=qPfQ5LLQYE

22 Feb 2023 at 20:33 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Verbos + Mimeophon Jam", Deaftone Audio

This video is essentially a single held note and some rhythmic clicking for eight minutes, but the musician, hand-driving a complicated modular feedback machine, thoroughly explores every point in the configuration space of that constrained premise, taking you on a journey through a small universe of minimal ambient destinations. It's all very hypnotic and maybe a little sinister.

youtube.com/watch?v=FvnAjaXo5I

23 Feb 2023 at 20:09 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Drift", Lähtö

Here's what I eventually figured out: Back in 2006-2007, Lähtö made music and posted it on a Google Site alongside little blog posts. The only distribution method was mediafire links, all dead now. None of these albums are preserved anywhere on the internet. Mysteriously, this month, someone uploaded this one to YouTube.

This first track (ends at 11:00) is a feast of luscious ambient pads, like a bed made entirely of pillows.

youtube.com/watch?v=lv5caGbbZg

What I'm listening to today: "Drift", Lähtö

Here's what I eventually figured out: Back in 2006-2007, Lähtö made music and posted it on a Google Site alongside little blog posts. The only distribution method was mediafire links, all dead now. None of these albums are preserved anywhere on the internet. Mysteriously, this month, someone uploaded this one to YouTube.

24 Feb 2023 at 20:02 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Track 1", rien

Sometimes I just want to listen to a quiet crackling static noise for twenty minutes. So here's just that. This is an untitled song on an untitled album consisting of two seemingly identical tracks.

Try focusing on this sound. Really pick it apart. Try to perceive each individual microsound. You might be inclined to think of it as literally nothing, but there's gobs of complex texture in how the pops & bass rumbles cluster.

ominousrecordings.bandcamp.com

What I'm listening to today: "Track 1", rien

Sometimes I just want to listen to a quiet crackling static noise for twenty minutes. So here's just that. This is an untitled song on an untitled album consisting of two seemingly identical tracks.

Try focusing on this sound. Really pick it apart. Try to perceive each individual microsound. You might be inclined to think of it as literally nothing, but there's gobs of complex texture in how the pops & bass rumbles cluster.

25 Feb 2023 at 22:54 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Track 2", Impermanence

An untitled song from an album named "Even if we talk about love in our fantasy, this iron and concrete won't convey its warmth." It's 15 minutes of a loud, distorted, mostly unchanging static noise, like standing close to heavy machinery. This is the sound of being very stressed and sometimes when I'm very stressed I like to listen to this sort of sound because it externalizes the stress into something apart from me.

impermanence.bandcamp.com/trac

What I'm listening to today: "Track 2", Impermanence

An untitled song from an album named "Even if we talk about love in our fantasy, this iron and concrete won't convey its warmth." It's 15 minutes of a loud, distorted, mostly unchanging static noise, like standing close to heavy machinery. This is the sound of being very stressed and sometimes when I'm very stressed I like to listen to this sort of sound because it externalizes the stress into something apart from me.

26 Feb 2023 at 20:38 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Chaos Of The Galaxy / Happy Man", Sparklehorse

Mark Linkous (Sparklehorse) was a beloved one-man indie rock band and multi-instrumentalist in the 00s. This version of "Happy Man" presents the song as if you're hearing it coming in and out of tune on a radio station just slightly too far away to pick up and fighting interference from some rival station. It makes the whole thing really spooky and gives the legible parts an incredible punch.

youtube.com/watch?v=737HYy4EQO

What I'm listening to today: "Chaos Of The Galaxy / Happy Man", Sparklehorse

Mark Linkous (Sparklehorse) was a beloved one-man indie rock band and multi-instrumentalist in the 00s. This version of "Happy Man" presents the song as if you're hearing it coming in and out of tune on a radio station just slightly too far away to pick up and fighting interference from some rival station. It makes the whole thing really spooky and gives the legible parts an incredible punch.

27 Feb 2023 at 21:08 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Moth", Burial and Four Tet

Burial and Four Tet are two of the most original electronic musicians of this century, and when they were at the height of their powers around 2010 they recorded three songs for singles together ("Moth", "Nova" and "Wolf Cub", and then some other stuff with Thom Yorke). Moth is my favorite of the three, bouncy, a killer Four Tet pop hook but muffled and blurry in Burial's style. Just some incredible sounds here.

fourtet.bandcamp.com/track/mot

What I'm listening to today: "Moth", Burial and Four Tet

Burial and Four Tet are two of the most original electronic musicians of this century, and when they were at the height of their powers around 2010 they recorded three songs for singles together ("Moth", "Nova" and "Wolf Cub", and then some other stuff with Thom Yorke). Moth is my favorite of the three, bouncy, a killer Four Tet pop hook but muffled and blurry in Burial's style. Just some incredible sounds here.

28 Feb 2023 at 20:37 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Deep progressive house jam with hardware synths - M:S, Model D, Skulpt, Microfreak, NTS-1, Volca FM.", Work4synths

This YouTuber posts a lot of decent improvised trance techno sets, but for this one they seem to have decided to make a Song and they absolutely killed it. This is a catchy, well-produced electronica bop with a lovely clean-feeling emotion to it, performed by a table of mid-range synths driven from a composition in Ableton DAW.

youtube.com/watch?v=X_NLoZDp7t

What I'm listening to today: "Deep progressive house jam with hardware synths - M:S, Model D, Skulpt, Microfreak, NTS-1, Volca FM.", Work4synths

This YouTuber posts a lot of decent improvised trance techno sets, but for this one they seem to have decided to make a Song and they absolutely killed it. This is a catchy, well-produced electronica bop with a lovely clean-feeling emotion to it, performed by a table of mid-range synths driven from a composition in Ableton DAW.

1 Mar 2023 at 20:18 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Down With Silent Night", Irena and Vojtech Havlovi

From 1992, a married couple playing a duet on piano and cello. Feels like a movie score both in the 10,000-foot atmospheric vibes and the weird echoey way the cello is recorded. It's gorgeous, "evocative" and *slow* in a beautifully deliberate way, with chord changes minutes apart. It's also half an hour long so sincere suggestion: Hit stop at 19:39 exactly. That's where I would have cut.

havlovi.bandcamp.com/track/dow

What I'm listening to today: "Down With Silent Night", Irena and Vojtech Havlovi

From 1992, a married couple playing a duet on piano and cello. Feels like a movie score both in the 10,000-foot atmospheric vibes and the weird echoey way the cello is recorded. It's gorgeous, "evocative" and *slow* in a beautifully deliberate way, with chord changes minutes apart. It's also half an hour long so sincere suggestion: Hit stop at 19:39 exactly. That's where I would have cut.

2 Mar 2023 at 21:27 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: Butt music from hell, Hieronymus Bosch

Around 1500 CE Bosch painted "The Garden of Earthly Delights", an epic triptych of surreal scenes concluding in Hell. In the hell scene, a naked man has a fragment of musical notation painted on his ass. In 2014 a blogger named Amelia Hamrick transcribed it and a YouTuber named James Spalink recorded this ghostly version on period instruments. What Hell left unfinished the Internet has completed

youtube.com/watch?v=OnrICy3Bc2

What I'm listening to today: Butt music from hell, Hieronymus Bosch

Around 1500 CE Bosch painted "The Garden of Earthly Delights", an epic triptych of surreal scenes concluding in Hell. In the hell scene, a naked man has a fragment of musical notation painted on his ass. In 2014 a blogger named Amelia Hamrick transcribed it and a YouTuber named James Spalink recorded this ghostly version on period instruments. What Hell left unfinished the Internet has completed

3 Mar 2023 at 20:10 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Brother", Beck

Beck's early albums cleanly alternate hip-hop/pop & folk, but the B-sides from then tend to find a lovely unique otherworld between the two. Like "Brother": Obscure, ballad-like, & my favorite Beck song.

This song staggers like it's drunk. It always gives me a mental image of hanging from a ceiling from ropes, or maybe clutching a loop handle on a moving subway, putting all your weight on it and closing your eyes, swinging.

youtube.com/watch?v=skTOqCxToh

What I'm listening to today: "Brother", Beck

Beck's early albums cleanly alternate hip-hop/pop & folk, but the B-sides from then tend to find a lovely unique otherworld between the two. Like "Brother": Obscure, ballad-like, & my favorite Beck song.

This song staggers like it's drunk. It always gives me a mental image of hanging from a ceiling from ropes, or maybe clutching a loop handle on a moving subway, putting all your weight on it and closing your eyes, swinging.

4 Mar 2023 at 22:37 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Dissolution III (Oversaturated Intervallic Collisions)", Earth

This 15-minute piece, performed live on NYU's college radio station in 2002, is my favorite Earth recording, and one of their most difficult to find a legit copy of.

It's a series of pendulous guitar distortions layering deeper and deeper on themselves. It's impossible to rationally comprehend as music, and best experienced as ritual. Listen to it as loudly as you can stand.

youtube.com/watch?v=Eh1cvSBsqo

What I'm listening to today: "Dissolution III (Oversaturated Intervallic Collisions)", Earth

This 15-minute piece, performed live on NYU's college radio station in 2002, is my favorite Earth recording, and one of their most difficult to find a legit copy of.

It's a series of pendulous guitar distortions layering deeper and deeper on themselves. It's impossible to rationally comprehend as music, and best experienced as ritual. Listen to it as loudly as you can stand.

5 Mar 2023 at 20:30 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Super Fxx", Tera Melos

Tera Melos is a band from the Sacramento post-rock clique who started off making what I'd describe as metal played by free-jazz rules, and gradually transitioned to very loud surf rock with unusual chord progressions. Their last album ended with a weird, memorable blast of a song named "Super Fx", and then a single had a b-side named "Super Fxx" which I'd describe as the same song but with different words and chords:

teramelos.bandcamp.com/track/s

What I'm listening to today: "Super Fxx", Tera Melos

Tera Melos is a band from the Sacramento post-rock clique who started off making what I'd describe as metal played by free-jazz rules, and gradually transitioned to very loud surf rock with unusual chord progressions. Their last album ended with a weird, memorable blast of a song named "Super Fx", and then a single had a b-side named "Super Fxx" which I'd describe as the same song but with different words and chords:

6 Mar 2023 at 20:02 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Hello Great Architect", Hella

Hella is another Norcal post-rock band, the drummer from the Advantage playing guitar and the drummer from the Death Grips (the legendary Zach Hill) playing drums, specializing in the loudest, densest, most chaotic, most rancid riffs possible. Their live stuff's incredible, so I'm linking a song from the middle of a live set ("Concentration Face" DVD). Song ends at 1:52:27, turn up loud for intended effect.

youtube.com/watch?v=bpNPGKmz4-

What I'm listening to today: "Hello Great Architect", Hella

Hella is another Norcal post-rock band, the drummer from the Advantage playing guitar and the drummer from the Death Grips (the legendary Zach Hill) playing drums, specializing in the loudest, densest, most chaotic, most rancid riffs possible. Their live stuff's incredible, so I'm linking a song from the middle of a live set ("Concentration Face" DVD). Song ends at 1:52:27, turn up loud for intended effect.

7 Mar 2023 at 23:32 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "My Neighbor Satan", Boris

Boris is a Japanese rock band with an epic and wildly genre-spanning discography spanning metal, pop-rock, and straight-up noise. This is a really fun track where they take what could have been a simple metal song, compress the metal bits until they're flat and turn the volume way down, and layer strange currents of pop and funk on top. Like peacefully floating on the bubble-bath surface atop a dark noise ocean.

youtube.com/watch?v=Gs6AjuzJJN

What I'm listening to today: "My Neighbor Satan", Boris

Boris is a Japanese rock band with an epic and wildly genre-spanning discography spanning metal, pop-rock, and straight-up noise. This is a really fun track where they take what could have been a simple metal song, compress the metal bits until they're flat and turn the volume way down, and layer strange currents of pop and funk on top. Like peacefully floating on the bubble-bath surface atop a dark noise ocean.

8 Mar 2023 at 21:07 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Idols and Anchors", Parkway Drive

I don't have an interesting story about this one. It isn't a rarity or anything. It's just a song I heard on the radio once and liked, from the genre I can never remember if it's called "black metal" or "death metal". The utter sincerity with which this band with a goofy name singing goofy cookie monster vocals goes about its very serious business has always been really charming to me. Good blastbeats.

youtube.com/watch?v=Ni4x5uyG1W

What I'm listening to today: "Idols and Anchors", Parkway Drive

I don't have an interesting story about this one. It isn't a rarity or anything. It's just a song I heard on the radio once and liked, from the genre I can never remember if it's called "black metal" or "death metal". The utter sincerity with which this band with a goofy name singing goofy cookie monster vocals goes about its very serious business has always been really charming to me. Good blastbeats.

9 Mar 2023 at 20:00 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Annihilvore", Behold The Arctopus

My favorite track on my favorite metal album. BTA makes instrumental metal with the kind of post-rock musical rule-breaking I don't have the vocabulary to describe so I always fall back on "it's like jazz, I guess?" (or for the stuff after this album, "it's like twelve-tone?"). This one epic track is a rocking mix of the mind-expanding, the accessible, and the "damn, that's just a really good single sound".

beholdthearctopus.bandcamp.com

What I'm listening to today: "Annihilvore", Behold The Arctopus

My favorite track on my favorite metal album. BTA makes instrumental metal with the kind of post-rock musical rule-breaking I don't have the vocabulary to describe so I always fall back on "it's like jazz, I guess?" (or for the stuff after this album, "it's like twelve-tone?"). This one epic track is a rocking mix of the mind-expanding, the accessible, and the "damn, that's just a really good single sound".

10 Mar 2023 at 20:00 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "My Empire's Doom", Emperor

At my college, consensus was Emperor was The Greatest Metal Band In The World. I'm so-so on them, but! What I do *really* like is Emperor's original demo tape, recorded on a 4-track and self-distributed. The low recording quality causes every instrument to blend together into an indistinguishable soup and the resulting aesthetic is *perfect*. Also this was before the knife murderer joined the band, so that's nice.

youtube.com/watch?v=C66ei3Y8LC

What I'm listening to today: "My Empire's Doom", Emperor

At my college, consensus was Emperor was The Greatest Metal Band In The World. I'm so-so on them, but! What I do *really* like is Emperor's original demo tape, recorded on a 4-track and self-distributed. The low recording quality causes every instrument to blend together into an indistinguishable soup and the resulting aesthetic is *perfect*. Also this was before the knife murderer joined the band, so that's nice.

11 Mar 2023 at 22:39 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Modular jam with Volca Modular, Korg NTS-1 and Playtronica Touch Me", ITSME

This is a short, peaceful synth piece performed on a tree. Like, uh. This person got hold of a device that converts current (capacitance?) changes from human touch into MIDI, and then they wired it to a small tree. So the harder they squeeze the tree the higher the note on the Volca Modular goes. Anyway, it's a real nice song.

youtube.com/watch?v=PLcgcX18zk

13 Mar 2023 at 19:43 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Roland MKS-80 REV5 & MPG-80 (1983)", Werkstatt Matlak

This unusual YouTube account belongs to a synth repair shop in Bavaria. Each video features exactly one vintage or rare synthesizer and a summary like "Final test after service". Apparently when they finish repairing a customer device they make a song with it.

This video features the Super Jupiter (a rackmount MIDI Jupiter-8) and its programmer. They use it to make sick retro hip-hop.

youtube.com/watch?v=hXu6iOy5Tm

What I'm listening to today: "Roland MKS-80 REV5 & MPG-80 (1983)", Werkstatt Matlak

This unusual YouTube account belongs to a synth repair shop in Bavaria. Each video features exactly one vintage or rare synthesizer and a summary like "Final test after service". Apparently when they finish repairing a customer device they make a song with it.

14 Mar 2023 at 19:25 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "A8 KM34", Funkstörung

"Appetite for Disctruction" was released in the brief initial golden era of IDM and I think got kinda quickly forgotten?, but almost every track on it would have been the best track on some other album. All bizarre dirty bitcrushed beats and catchy clean synthtone melodies, all really satisfying.

This isn't my *favorite* track on there, but it's the one I'm thinking about today. Sometimes you just have an A8 KM34 day.

youtube.com/watch?v=JKHimO77MM

What I'm listening to today: "A8 KM34", Funkstörung

"Appetite for Disctruction" was released in the brief initial golden era of IDM and I think got kinda quickly forgotten?, but almost every track on it would have been the best track on some other album. All bizarre dirty bitcrushed beats and catchy clean synthtone melodies, all really satisfying.

15 Mar 2023 at 19:15 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "最強ACIDマシーン。The strongest ACID machine.", TUNASAN

The "T-8 Aria Compact" is a neat device from Roland that tries to get some of that Volca money Korg's been scooping up by putting in a single tiny box [digital emulations of] an 808 and 303, Roland's early-80s drum/synth boxes that failed, flooded the used market and accidentally invented ACID.

In this video, a dog wearing a tiny hat makes some ACID. A T-8 review is hidden in the captions.

youtube.com/watch?v=YUv3zFJ5ZP

What I'm listening to today: "最強ACIDマシーン。The strongest ACID machine.", TUNASAN

The "T-8 Aria Compact" is a neat device from Roland that tries to get some of that Volca money Korg's been scooping up by putting in a single tiny box [digital emulations of] an 808 and 303, Roland's early-80s drum/synth boxes that failed, flooded the used market and accidentally invented ACID.

16 Mar 2023 at 18:59 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Devolver", Stardust

This is a 2021 demo for the Spectrum ZX by demoscene group Stardust. I linked a Stardust demo in this thread before (again: not Thomas Bangalter related) and the other one was more visually impressive, but the music in this one is *incredibly* hype and stands on its own as a piece of relentless, borderline-gabber hardcore dance music. There are acid sounds in here I am sincerely baffled how they tricked a ZX into making.

youtube.com/watch?v=M8nWTJnHJ_

What I'm listening to today: "Devolver", Stardust

This is a 2021 demo for the Spectrum ZX by demoscene group Stardust. I linked a Stardust demo in this thread before (again: not Thomas Bangalter related) and the other one was more visually impressive, but the music in this one is *incredibly* hype and stands on its own as a piece of relentless, borderline-gabber hardcore dance music. There are acid sounds in here I am sincerely baffled how they tricked a ZX into making.

17 Mar 2023 at 19:00 | Open on mastodon.social
mcc replied to mcc

What I'm listening to today: "Teisco Synthesizer 110F (1980)", Werkstatt Matlak

This is the synth shop I linked earlier this week, posting the "Final test after repair & service" for a fascinating synth by Teisco, a company I've never heard of (in part because they were folded into Kawai shortly after this synth was made). The test track showcases some lovely timbres Boards of Canada would be proud of, in an alternate universe where BoC were interested in drum & bass.

youtube.com/watch?v=EgI4qjk9z0

What I'm listening to today: "Teisco Synthesizer 110F (1980)", Werkstatt Matlak

This is the synth shop I linked earlier this week, posting the "Final test after repair & service" for a fascinating synth by Teisco, a company I've never heard of (in part because they were folded into Kawai shortly after this synth was made). The test track showcases some lovely timbres Boards of Canada would be proud of, in an alternate universe where BoC were interested in drum & bass.

18 Mar 2023 at 20:30 | Open on mastodon.social
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