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Chris Trottier

Years ago, I embarked on a quest to create a whole new aesthetic that I called “Sizz”.

People found it disturbing. Even now.

But slowly a community formed around it.

I don’t regret offending people with high contrast black and white.

At least, this art is imbued with a piece of me.

7 comments
Dave

@atomicpoet I like it. It's a slice of life. High-contrast photography is usually harsh. It evokes a reaction. It's hard to ignore. It's even harder to say, "That's nice, don't forget the milk on the way home."

Jeff C. 🇺🇦

@atomicpoet I LOVE high-contrast black and white.

Definitely more interesting than the pablum that goes for corporate messaging illustration these days.

Lee 🌏

@atomicpoet
I spent my 3 years at Uni, trying to create a whole new design style and ended up with a shit grade, compared to those who followed the current style. ☹️
I look back at the work, and it was a bit patchy. Some good bits and some bad bits, and maybe I got the grade I deserved, but what I can say is, the system is set up to reward those who conform.

Debideaux

@atomicpoet I don't find it disturbing. I keep trying to squint 😆 enough to see what the light is hiding.

JustAFrog

@atomicpoet The high contrast reminds me of WW2-era recon photography.

Except those were mostly aerial shots and a few side profiles of military and industrial things.

The way some details disappear and emphasis shifts from the expected to other objects makes your images interesting to look at.

Like, I know what I'm looking at, but I never looked at it like that.

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