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mcc

What I'm listening to today: "Repellent", Helm

This starts as electric/datastream noise then falls into a lovely spacey Burial-like rhythmic groove for the duration, like listening to industrial music being played at the far other end of an abandoned subway station. I dunno. I just liked it.

hhelmm.bandcamp.com/track/repe

187 comments
mcc replied to mcc

What I'm listening to today: "Microchip Girl", Self

So I feel like if I was going to recommend exactly one Self song it probably should not be "Microchip Girl", but there's something just really charming about this borderline-jazz vaudeville(?) serenade. This was put out on an "album of b-sides" that Self (Matt Mahaffey) released via mail-order at one point between major-label albums, and I guess the song's probably a little more relatable to me now than it was in 1997.

youtube.com/watch?v=GL5leclCiv

What I'm listening to today: "Microchip Girl", Self

So I feel like if I was going to recommend exactly one Self song it probably should not be "Microchip Girl", but there's something just really charming about this borderline-jazz vaudeville(?) serenade. This was put out on an "album of b-sides" that Self (Matt Mahaffey) released via mail-order at one point between major-label albums, and I guess the song's probably a little more relatable to me now than it was in 1997.

mcc replied to mcc

What I'm listening to today: "Pittsburgh Modular Abstract Drone Lab 2"

This is a hypnotic, constantly churning 80-minute ambient piece by the lead designer of the Pittsburgh Modular synth company, performed live and streamed from the company's account. It seems to me this would make great background music for a programming trance, guided meditation or drug trip, assuming you want your code, meditation or trip to take a sinister turn somewhere around the 36 minute mark.

youtube.com/watch?v=8ieXd1oHgu

What I'm listening to today: "Pittsburgh Modular Abstract Drone Lab 2"

This is a hypnotic, constantly churning 80-minute ambient piece by the lead designer of the Pittsburgh Modular synth company, performed live and streamed from the company's account. It seems to me this would make great background music for a programming trance, guided meditation or drug trip, assuming you want your code, meditation or trip to take a sinister turn somewhere around the 36 minute mark.

mcc replied to mcc

What I'm listening to today: "Modular Experient - 30 Minutes of Generative Eurorack Ambient"

This is an endlessly shifting self-playing patch on a synth eurorack sitting out on a back porch. Throughout the take some dudes are visible out of focus in the background. You know, just some dudes hanging out on the porch chilling to mechanically generated aleatoric music scientifically optimized for chilling on the back porch to

youtube.com/watch?v=OD7Jk7YNOT

mcc replied to mcc

What I'm listening to today: "Alchemic", Jure Jerebic

Short, cryptic-but-compelling piece exploring the configuration space of the Strega, with the musician tweaking the knobs and controls so constantly it's like they're playing a conventional instrument. BTW if this wasn't clear, those gold circles and squares on the Strega face are "patch points" you bridge by touching them. The human body conducts electricity so you can run control voltage thru it like a patch cable.

youtu.be/AexFEvhJisk

What I'm listening to today: "Alchemic", Jure Jerebic

Short, cryptic-but-compelling piece exploring the configuration space of the Strega, with the musician tweaking the knobs and controls so constantly it's like they're playing a conventional instrument. BTW if this wasn't clear, those gold circles and squares on the Strega face are "patch points" you bridge by touching them. The human body conducts electricity so you can run control voltage thru it like a patch cable.

mcc replied to mcc

What I'm listening to today: "Let Go (VCV Rack 2 patch)", Alex Kiss

I normally think of VCV Rack as being an instrument—a signal chain you control from external MIDI, or a incubator for self-playing music generation. Here tho is a video of a guy who's set it up as a full music production environment, piano roll sequencers and mixers and multiband-compression mastering and all, and deploys it to make some classic 90s techno.

(The cables are there, just at ~10% opacity.)

youtube.com/watch?v=FvXi_oaCDD

What I'm listening to today: "Let Go (VCV Rack 2 patch)", Alex Kiss

I normally think of VCV Rack as being an instrument—a signal chain you control from external MIDI, or a incubator for self-playing music generation. Here tho is a video of a guy who's set it up as a full music production environment, piano roll sequencers and mixers and multiband-compression mastering and all, and deploys it to make some classic 90s techno.

mcc replied to mcc

What I'm listening to today: "Breaking Point [live improvisation]", Stephen Torto

Here's a video showing off the power of the Novation MIDI controllers with Ableton Live, specifically the looper interface. Torto builds an entire dark electronic song from nothing as the song itself is playing; other than what seems to be a pre-prepared drum loop, Torto is playing every note himself on the Launchpad's weird isomorphic-keyboard scale grid thing. It's legit cool to watch.

youtu.be/A0PL1sleszk

What I'm listening to today: "Breaking Point [live improvisation]", Stephen Torto

Here's a video showing off the power of the Novation MIDI controllers with Ableton Live, specifically the looper interface. Torto builds an entire dark electronic song from nothing as the song itself is playing; other than what seems to be a pre-prepared drum loop, Torto is playing every note himself on the Launchpad's weird isomorphic-keyboard scale grid thing. It's legit cool to watch.

mcc replied to mcc

What I'm listening to today: "Negions Fail"

This is a melodic drum&bass track with a lovely feeling to it from the golden age of IDM (circa 2005). The artist is named either "Wisp" or "RWD", it's not clear. I feel like this is something I should have known about at the time it was released but I'd somehow never heard of this artist until I stumbled across this album on YouTube this week.

reiddunn.bandcamp.com/track/ne

mcc replied to mcc

What I'm listening to today: "Polyend Play + Arturia Microfreak - Techno", AMB

An extremely cool dub techno sorta track, only two and a half minutes but there's a lot going on.

If you look it's being driven from the Polyend Play which is kind of like a Novation Launchpad and a portable DAW all in one, the musician will have previously programmed in loops with the button grid and now is using special play-mode functions mapped to those buttons to guide the performance.

youtube.com/watch?v=sVsoynrsII

What I'm listening to today: "Polyend Play + Arturia Microfreak - Techno", AMB

An extremely cool dub techno sorta track, only two and a half minutes but there's a lot going on.

If you look it's being driven from the Polyend Play which is kind of like a Novation Launchpad and a portable DAW all in one, the musician will have previously programmed in loops with the button grid and now is using special play-mode functions mapped to those buttons to guide the performance.

mcc replied to mcc

What I'm listening to today: "autechre_mod Max MSP", Adisquo Solardali

A cool little groove full of subtle quiet noises. Cuts off suddenly.

It's not 100% clear what this video is, though the thumbnail seems to link it to an alleged max/msp file used by the band Autechre that leaked in the 00s. So did this person mod the leak to create a (partially) new song, and the use of illicit files is why they're cagey explaining the video? Or is this just inspired by Autechre?

youtube.com/watch?v=l5SpeXGYbM

What I'm listening to today: "autechre_mod Max MSP", Adisquo Solardali

A cool little groove full of subtle quiet noises. Cuts off suddenly.

It's not 100% clear what this video is, though the thumbnail seems to link it to an alleged max/msp file used by the band Autechre that leaked in the 00s. So did this person mod the leak to create a (partially) new song, and the use of illicit files is why they're cagey explaining the video? Or is this just inspired by Autechre?

mcc replied to mcc

What I'm listening to today: "If You Knew", Le Solitaire

This is a simply charming desktop synth duet from 2016 (which for Synth Jam YouTube is basically the paleolithic era). One musician drives the bass and drums while the other one sings into the looper function of an OP-1, constantly tweaking until she's singing in harmony with an entire choir of her own voice.

youtube.com/watch?v=uJ_goAThKk

mcc replied to mcc

What I'm listening to today: "Mini Jam Monday #8", littleBIGsynths / Mod Maquina

A jam from 2016 that does absolutely the most with the absolute least. This sets up a killer hook on one Volca Keys and one Pocket Operator drum machine and then explores it as completely as the sequencing capabilities of the devices allow, and then some, as the musician proceeds to hand-animate what seems like every single knob the Volca has. You could dance to this.

youtube.com/watch?v=KwBQcAHuQY

mcc replied to mcc

What I'm listening to today: "PO-33 & NTS-1 | LoFi | Synthwave jam", Stefan Torto

A lo-fi hip hop beats track with a sort of Earthbound feeling to it. The entire complicated track is produced from the PO-33 (the little calculator looking thing on the left, it's a sampler) with Korg's DIY-kit microsynth used to add reverb.

youtube.com/watch?v=ogBZxAd5vW

mcc replied to mcc

What I'm listening to today: "Qu-Bit Aurora getting angry", synthe sizer83

I listen to a lot of extremely varied electronic music and this one is still very mysterious to me. I guess this is "drone". Six minutes of enigmatic hums and distant flutters and clanks. There seems to be a melody, but it's too large and slow to see the entire thing at once. This all appears to be the result of using a reverb filter for something entirely other than reverb.

youtube.com/watch?v=dmPjvxKF3-

mcc replied to mcc

What I'm listening to today: "[D]RONIN + Soma COSMOS + Eventide PITCH FACTOR", Giovanni B

A looper with automated chaotic phasing, an octave doubler, and a… "horror playground live rig"? This person appears to have built a kind of prepared piano without the piano part, a random chunk of wood with guitar pickups and vibratey bits of metal stuck into it at random, ostensibly so they can make horror movie soundtracks?, in practice for making Einsturzende Neubauten grooves.

youtube.com/watch?v=YjiIlQmg6O

What I'm listening to today: "[D]RONIN + Soma COSMOS + Eventide PITCH FACTOR", Giovanni B

A looper with automated chaotic phasing, an octave doubler, and a… "horror playground live rig"? This person appears to have built a kind of prepared piano without the piano part, a random chunk of wood with guitar pickups and vibratey bits of metal stuck into it at random, ostensibly so they can make horror movie soundtracks?, in practice for making Einsturzende Neubauten grooves.

mcc replied to mcc

What I'm listening to today: "Three Views Of A Secret", Daisuke Kawai & Hidenobu "KALTA" Otsuki

So I'm watching this video of a synth trade show, and one of the comments mentions that a guy walking by in the background is "the best organ player in Japan". Huh.

So I look the guy up and find him doing this intense and moody live cover of an old Jaco Pastorius jazz piece, in collaboration with a drummer who seems to be picking up psychic transmissions from another galaxy:

youtube.com/watch?v=6SkH8M1MVo

What I'm listening to today: "Three Views Of A Secret", Daisuke Kawai & Hidenobu "KALTA" Otsuki

So I'm watching this video of a synth trade show, and one of the comments mentions that a guy walking by in the background is "the best organ player in Japan". Huh.

So I look the guy up and find him doing this intense and moody live cover of an old Jaco Pastorius jazz piece, in collaboration with a drummer who seems to be picking up psychic transmissions from another galaxy:

mcc replied to mcc

What I'm listening to today: Unused song, Maniac Mansion

If you dump the ROM of the NES version of Maniac Mansion, there's an entire completed song on the cart the game never uses. According to game composer George Sanger, it was originally supposed to be the theme for Dr. Fred (I'm not sure it really fits him). I'm really captivated by this song, it's weird and rocking and it has a really particular emotion to it I'm not sure I can identify in any other piece of music.

youtube.com/watch?v=R7eVjYJl4n

What I'm listening to today: Unused song, Maniac Mansion

If you dump the ROM of the NES version of Maniac Mansion, there's an entire completed song on the cart the game never uses. According to game composer George Sanger, it was originally supposed to be the theme for Dr. Fred (I'm not sure it really fits him). I'm really captivated by this song, it's weird and rocking and it has a really particular emotion to it I'm not sure I can identify in any other piece of music.

mcc replied to mcc

What I'm listening to today: "Volca Sample meets Eventide H9", ShurSoma

This is a lovely performance on a cheap sampling drum machine drowned in reverb, centered on a gong-like bell sample that swirls hypnotically close and away. A good track to just lay back and float in.

youtube.com/watch?v=SpVqVaxlY2

mcc replied to mcc

What I'm listening to today: "SOMA Pulsar-23 (a brief sequence to try things out)", TÆT

I think I've posted a few tracks before based on SOMA's idiosyncratic instruments; the Pulsar is their take on a drum machine, based around heavy rewirability, chaos injection and a *lot* of distortion. This is a fun robot dance number showing off what the Pulsar can do.

youtube.com/watch?v=cDq-g9MTbE

mcc replied to mcc

What I'm listening to today: "Mørkeredd" (Analog Four)

This is in some ways a very gentle track, the only thing that resembles a beat is a shaped bass, but it's got this enormous cinematic feeling to it. Basically this is good music for listening to as you awake at the bottom of a dying space station, barely feeling your bruises. You have been betrayed. You climb the levels in low-g slow motion, knowing who awaits you at the top. Your destiny is above you, or your doom

youtube.com/watch?v=jpCo33BEZD

What I'm listening to today: "Mørkeredd" (Analog Four)

This is in some ways a very gentle track, the only thing that resembles a beat is a shaped bass, but it's got this enormous cinematic feeling to it. Basically this is good music for listening to as you awake at the bottom of a dying space station, barely feeling your bruises. You have been betrayed. You climb the levels in low-g slow motion, knowing who awaits you at the top. Your destiny is above you, or your doom

mcc replied to mcc

What I'm listening to today: "defenestrate (live ambient improv)", TRDRT

This is a 15-minute ambient-plucking-noises-and-bass groove that builds in a really good way. Another one of those tracks that's good background sound when you're doing something else.

youtube.com/watch?v=MjOLfaeHK0

mcc replied to mcc

What I'm listening to today: "Chudraga", porfiry

Another piece with the Pulsar, SOMA's drum machine. This time it's paired with the Ornament, SOMA's oblique "sequencer": a controlled chaos generator used in this case to trigger congo patterns and distorted industrial drums while something (also the Ornament?) pushes semirandom notes into a 90s-IDM-reminiscent synth lead (which the musician seems to have jury-rigged from nowhere by hijacking one of the drum oscillators).

youtube.com/watch?v=uogGR5Ox_v

What I'm listening to today: "Chudraga", porfiry

Another piece with the Pulsar, SOMA's drum machine. This time it's paired with the Ornament, SOMA's oblique "sequencer": a controlled chaos generator used in this case to trigger congo patterns and distorted industrial drums while something (also the Ornament?) pushes semirandom notes into a 90s-IDM-reminiscent synth lead (which the musician seems to have jury-rigged from nowhere by hijacking one of the drum oscillators).

mcc replied to mcc

What I'm listening to today: "Poology Jungle with Pulsar-23 and Digitakt", raphito_

So if I'd made this I'd probably have named it "poolcore", but… whatever. This is a spaced-out clicks-and-cuts percussive blend with the Pulsar, controlled via MIDI from the Digitakt, supplying glitchy sounding analog drums while the Digitakt overdubs the standard Amen break samples. The tension between the two modes of techno keeps the mood a fascinating split between chill and anxious.

youtube.com/watch?v=zJ9iP8kJ1V

What I'm listening to today: "Poology Jungle with Pulsar-23 and Digitakt", raphito_

So if I'd made this I'd probably have named it "poolcore", but… whatever. This is a spaced-out clicks-and-cuts percussive blend with the Pulsar, controlled via MIDI from the Digitakt, supplying glitchy sounding analog drums while the Digitakt overdubs the standard Amen break samples. The tension between the two modes of techno keeps the mood a fascinating split between chill and anxious.

mcc replied to mcc

What I'm listening to today: "Lyra 8 + Strega", afxtr

What if I just did an entire week of these posting only SOMA synth pieces?

So the Lyra-8 is all about reverb; its oscillators maximize harmonics so the reverb can smear those out. This musician decided that *wasn't enough reverb*, so he added the Strega for maximum possible ominous howling drone.

Note the 0-CTRL isn't sequencing anything; it's wired so the harder he presses the keyboard the more the reverb expands.

youtube.com/watch?v=JDsjpKJ3H5

What I'm listening to today: "Lyra 8 + Strega", afxtr

What if I just did an entire week of these posting only SOMA synth pieces?

So the Lyra-8 is all about reverb; its oscillators maximize harmonics so the reverb can smear those out. This musician decided that *wasn't enough reverb*, so he added the Strega for maximum possible ominous howling drone.

mcc replied to mcc

What I'm listening to today: "Industrial Raga 1", Vadjuse

The Ornament is a machine for algorithmically sequencing triggers. One of its trigger output modes is "connect to ground", and wiring those outputs to the touch plates on the Lyra simulates the touch of a human finger. So in this one a PO-32 drum machine plays highly distorted beats while the ornament is picking out a note sequence on the Lyra's finger keys, producing something intense and unsettlingly alien.

youtu.be/3Ys7ETM4CdY

mcc replied to mcc

What I'm listening to today: "Soma Lyra 8 Pulsar 23 2X Ornament 8 Patch", NodiWolf

A long, slow dirge with a beat so chill it's frigid and a sinister hissing hum, like you're being serenaded by a bank of air conditioners or a swarm of wasps. I absolutely love this.

This one has the full SOMA complement of a Lyra, a Pulsar, and two Ornaments, with each Ornament controlling one device and the Lyra controller on a much slower timescale to differentiate drums and "melody".

youtube.com/watch?v=tT4X9rSbTj

What I'm listening to today: "Soma Lyra 8 Pulsar 23 2X Ornament 8 Patch", NodiWolf

A long, slow dirge with a beat so chill it's frigid and a sinister hissing hum, like you're being serenaded by a bank of air conditioners or a swarm of wasps. I absolutely love this.

This one has the full SOMA complement of a Lyra, a Pulsar, and two Ornaments, with each Ornament controlling one device and the Lyra controller on a much slower timescale to differentiate drums and "melody".

mcc replied to mcc

What I'm listening to today: "I'm Out", Tom Ehrlich

Four minutes of lovely blasting industrial noise, evolving from the drone of evil bagpipes to drunkenly stagging almost-melodic cinematic synthwave.

youtube.com/watch?v=OCy5KgTWQ4

mcc replied to mcc

What I'm listening to today: "Off The Wall", Kurena Ishikawa

Live jazz performance of a woman playing a standup bass and singing to her own accompaniment. A really compelling piece with a good groove.

youtube.com/watch?v=mlVpBTpaOU

mcc replied to mcc

What I'm listening to today: "Volcano", The Swans

This album is mostly spacy shoegaze until suddenly this track hits in a blast of desynced dance beats, electronic buzzing and ghostly singing; what I didn't know until this week is the reason it's so different is it's the album's one track produced entirely by Jarboe, the woman singing on it. I always assumed this was a sample collage and that the singing was some folk song they'd dug up.

IMO should be experienced loud.

youtube.com/watch?v=RpWiicPTnC

What I'm listening to today: "Volcano", The Swans

This album is mostly spacy shoegaze until suddenly this track hits in a blast of desynced dance beats, electronic buzzing and ghostly singing; what I didn't know until this week is the reason it's so different is it's the album's one track produced entirely by Jarboe, the woman singing on it. I always assumed this was a sample collage and that the singing was some folk song they'd dug up.

mcc replied to mcc

What I'm listening to today: "G-Spot Tornado", Frank Zappa

I didn't know this existed until last week, but Zappa's final album ("Jazz from Hell") was created entirely on the Synclavier, a late-70s DAW predating microcomputers and shipping on several large cabinets. It's impossible to comprehend what this felt like in 1986 as at the time it must have felt impossibly futuristic but to me (and probably you) it indelibly sounds like general MIDI on cheap 90s PC sound cards.

youtube.com/watch?v=XvpdiIaZZL

What I'm listening to today: "G-Spot Tornado", Frank Zappa

I didn't know this existed until last week, but Zappa's final album ("Jazz from Hell") was created entirely on the Synclavier, a late-70s DAW predating microcomputers and shipping on several large cabinets. It's impossible to comprehend what this felt like in 1986 as at the time it must have felt impossibly futuristic but to me (and probably you) it indelibly sounds like general MIDI on cheap 90s PC sound cards.

mcc replied to mcc

What I'm listening to today: "Modular Jam#1 - Verbos Electronics", Maarten Vandamme

Incredibly quiet and gentle, this one is a few minutes of soft hissing hums with sharper melodic synths bubbling under the surface. The piece is performed on a Buchla-style modular suitcase; the "Verbos" is the touch keyboard, which is screwed into the suitcase along with the synth modules.

youtube.com/watch?v=XZ1jzrhYvV

mcc replied to mcc

What I'm listening to today: "ORNAMENT-8 self developing composition"

SOMA demo by SOMA's founder, using a Pulsar, Lyra and two Ornaments (this time crosswired to make one giant 16-operator Ornament).

This one is *incredibly* challenging, with every element controlled by analog generative circuits; all the elements of a "song" are present but arranged in an alien way, with cryptic harmonic leaps and no consistent tempo. The structure here has nothing to do with humans.

youtube.com/watch?v=UCYxEBDfX4

What I'm listening to today: "ORNAMENT-8 self developing composition"

SOMA demo by SOMA's founder, using a Pulsar, Lyra and two Ornaments (this time crosswired to make one giant 16-operator Ornament).

This one is *incredibly* challenging, with every element controlled by analog generative circuits; all the elements of a "song" are present but arranged in an alien way, with cryptic harmonic leaps and no consistent tempo. The structure here has nothing to do with humans.

mcc replied to mcc

What I'm listening to today: "Wall of Sleep", Daniel Avery + HAAi

This came up on Tidal's new releases stream and I just really liked it. A voice floating in a sea of shimmer pedals. If people had never stopped making trip-hop maybe it would sound like this by now.

There's an official upload of this on YouTube with cool analog video accompaniment, but the sound quality (mastering?!) on that version's real bad. Maybe pull that up and watch it simultaneously but muted.

danielavery.bandcamp.com/track

What I'm listening to today: "Wall of Sleep", Daniel Avery + HAAi

This came up on Tidal's new releases stream and I just really liked it. A voice floating in a sea of shimmer pedals. If people had never stopped making trip-hop maybe it would sound like this by now.

There's an official upload of this on YouTube with cool analog video accompaniment, but the sound quality (mastering?!) on that version's real bad. Maybe pull that up and watch it simultaneously but muted.

mcc replied to mcc

What I'm listening to today: "Non-Entity", Nine Inch Nails

This song was recorded, and rejected, for With Teeth, and unheard until September 2005 when MTV held a benefit concert for victims of Hurricane Katrina and Trent Reznor (a longtime New Orleans resident) showed up and played this version solo on piano accompanied only by a drum machine.

The chorus chord progression was later used in "34 Ghosts IV", so this is technically the original version of Old Town Road.

youtube.com/watch?v=3RGYBP1_D1

What I'm listening to today: "Non-Entity", Nine Inch Nails

This song was recorded, and rejected, for With Teeth, and unheard until September 2005 when MTV held a benefit concert for victims of Hurricane Katrina and Trent Reznor (a longtime New Orleans resident) showed up and played this version solo on piano accompanied only by a drum machine.

mcc replied to mcc

What I'm listening to today: "Cymbal Rush (live)", Thom Yorke

Thom Yorke's solo stuff tends to a stripped-down style, seemingly limited to whatever electronic gear Yorke can program himself. This is often stark and haunting, but in the case of the album version of "Cymbal Rush" it's just undercooked.

But then there's this incredible one-off live version, which, given inclusion of Johnny Greenwood and Nigel Godrich (watch at 2:50) I guess is more like a Radiohead cover.

youtube.com/watch?v=-4hZt--0Yn

What I'm listening to today: "Cymbal Rush (live)", Thom Yorke

Thom Yorke's solo stuff tends to a stripped-down style, seemingly limited to whatever electronic gear Yorke can program himself. This is often stark and haunting, but in the case of the album version of "Cymbal Rush" it's just undercooked.

mcc replied to mcc

What I'm listening to today: "New Jazz Underground Live! #2", New Jazz Underground

These are some dudes who crowdfund recording their jazz band performances and posting them on YouTube and they just happen to be super good. I found them through a track they called "Sad Boy Anthem" but they've got a bunch of these full-length 50-minute-ish "Live!" performances up and that's the real gold. I listened to a few of their livestream sets and this one was my favorite.

youtu.be/dHb-RtxO2nA?t=90

mcc replied to mcc

What I'm listening to today: "random techno 172(118bpm) Polyend Tracker, Moog Grandmother, Bastl Softpop SP2, Thyme, Korg NTS-1", glenn clyatt

Does anyone remember "dub"? For a while in the early 00s we had this techno genre we called "dub", which was an annoying name because it was inspired by but not the same as dub reggae. Anyway this guy posts daily-ish synth doodles on YouTube and this particular one has strong dub vibes. Good energy here, starts chill and builds.

youtube.com/watch?v=rJHWuMED4y

What I'm listening to today: "random techno 172(118bpm) Polyend Tracker, Moog Grandmother, Bastl Softpop SP2, Thyme, Korg NTS-1", glenn clyatt

Does anyone remember "dub"? For a while in the early 00s we had this techno genre we called "dub", which was an annoying name because it was inspired by but not the same as dub reggae. Anyway this guy posts daily-ish synth doodles on YouTube and this particular one has strong dub vibes. Good energy here, starts chill and builds.

mcc replied to mcc

What I'm listening to today: "Cruel", Tori Amos

"Songs from the Choir Girl Hotel" had a markedly different style from basically every other Tori Amos release (she got a backup band, basically) in a way that Tori Amos herself did not actually seem to like, but wow, what a unique album. Each of the first 9 tracks is a standout in some way but "Cruel", a song which has no piano at all but anchors itself around *incredibly* dirty electric bass, has always been my favorite.

youtube.com/watch?v=8j3IQH74jX

What I'm listening to today: "Cruel", Tori Amos

"Songs from the Choir Girl Hotel" had a markedly different style from basically every other Tori Amos release (she got a backup band, basically) in a way that Tori Amos herself did not actually seem to like, but wow, what a unique album. Each of the first 9 tracks is a standout in some way but "Cruel", a song which has no piano at all but anchors itself around *incredibly* dirty electric bass, has always been my favorite.

mcc replied to mcc

What I'm listening to today: "random noise 076 SOMA RoAT, NTS-1"

This is the same guy from Monday I guess? Whatever. This is a good ominous ambient piece with the "Rumble of Ancient Times", SOMA's toy 8-bit synth, combined with Korg's DIY reverb filter. It's made from two improvised takes spliced together so it has a really good movement structure to it ("it's like listening to a real song!"). If you can listen to this on speakers with bass that's an amazing experience.

youtube.com/watch?v=n63V-okqcE

What I'm listening to today: "random noise 076 SOMA RoAT, NTS-1"

This is the same guy from Monday I guess? Whatever. This is a good ominous ambient piece with the "Rumble of Ancient Times", SOMA's toy 8-bit synth, combined with Korg's DIY reverb filter. It's made from two improvised takes spliced together so it has a really good movement structure to it ("it's like listening to a real song!"). If you can listen to this on speakers with bass that's an amazing experience.

mcc replied to mcc

What I'm listening to today: "22 Minutes of Live Modular Techno \\ Verbos, Make Noise Easel, Pulsar 23"

This is a live set of that hardkore classic 90s style four on the floor techno. It's somewhat of note that it's being made with a collection of modern synths (like the Pulsar and Strega, to say nothing of the modular synth rack) that I associate more with noise/ambient, but rather than grabbing your attention the sculpted noises just integrate cleanly into the groove.

youtube.com/watch?v=eleLA1OH_i

What I'm listening to today: "22 Minutes of Live Modular Techno \\ Verbos, Make Noise Easel, Pulsar 23"

This is a live set of that hardkore classic 90s style four on the floor techno. It's somewhat of note that it's being made with a collection of modern synths (like the Pulsar and Strega, to say nothing of the modular synth rack) that I associate more with noise/ambient, but rather than grabbing your attention the sculpted noises just integrate cleanly into the groove.

mcc replied to mcc

What I'm listening to today: "SUMMER COMES EARLY TONIGHT", thofabyq

This is a super chill lo-fi hip hop beats track on the PO-12 and PO-33 toy synthesizers (a drum machine and a sampler). Soul singing chopped up into vaguely pleasant but entirely asemic syllabic soup.

youtube.com/watch?v=k4KeFImCGa

mcc replied to mcc

What I'm listening to today: "Shebang II", Oren Ambarchi

I found "Shebang", a lovely little EP thing, on Tidal and was immediately enraptured by the second track, a dark and atmospheric cauldron of unpredictably roiling bass and jazz noises. Like a band all simultaneously woke up from a nap.

youtube.com/watch?v=RbO4Z3hqlk

The whole album (a playlist is linked on YouTube, or orenambarchi.bandcamp.com/albu on Bandcamp) is honestly really worth a listen, it flows well and "II" extends into a 3-song suite.

What I'm listening to today: "Shebang II", Oren Ambarchi

I found "Shebang", a lovely little EP thing, on Tidal and was immediately enraptured by the second track, a dark and atmospheric cauldron of unpredictably roiling bass and jazz noises. Like a band all simultaneously woke up from a nap.

youtube.com/watch?v=RbO4Z3hqlk

mcc replied to mcc

What I'm listening to today: "It's Gonna Rain, Pt. II", Steve Reich

"It's Gonna Rain" is based on a recording of a San Francisco street preacher and "phasing" (multiple copies of a tape playing at different speeds, drifting in and out of sync).

The first part, which sounds oddly like trance music, Reich exhibited in 1965; he initially withheld this, the more-complex second part, fearing it was imbued with so much chaos its release would be dangerous for the world.

youtube.com/watch?v=957pqIqPE7

What I'm listening to today: "It's Gonna Rain, Pt. II", Steve Reich

"It's Gonna Rain" is based on a recording of a San Francisco street preacher and "phasing" (multiple copies of a tape playing at different speeds, drifting in and out of sync).

The first part, which sounds oddly like trance music, Reich exhibited in 1965; he initially withheld this, the more-complex second part, fearing it was imbued with so much chaos its release would be dangerous for the world.

mcc replied to mcc

What I'm listening to today: "1/2", Brian Eno

This is the start of side 2 of "Ambient I: Music for Airports", Eno's infamous album that coined "ambient music" and made his experimental music forever overshadow his pop work (w/ Roxy Music, David Bowie etc). The songs all utilize Reich-style phasing of long loops; this track is the most complex, and my favorite.

Although MFA is great ambient for many contexts, in my opinion it is not appropriate for airports. Wrong mood.

youtube.com/watch?v=R4S8be2xlD

What I'm listening to today: "1/2", Brian Eno

This is the start of side 2 of "Ambient I: Music for Airports", Eno's infamous album that coined "ambient music" and made his experimental music forever overshadow his pop work (w/ Roxy Music, David Bowie etc). The songs all utilize Reich-style phasing of long loops; this track is the most complex, and my favorite.

mcc replied to mcc

What I'm listening to today: "Call Me Maybe Acapella 147 Times Exponentially Layered", Dan Deacon

This is the acapella version of "Call Me Maybe" by Carly Rae Jepsen, layered on itself 147 times exponentially increasing. In other words, self-explanatory.

mabsonenterprises.bandcamp.com

(There is a clear line running through Steve Reich, Terry Riley, Brian Eno, Negativland, Plunderphonics, Martin Arnold, "It's Over 9000!"/YTP/YTMND and Neil Cicierega/meme mashups. It's all one artistic tradition.)

What I'm listening to today: "Call Me Maybe Acapella 147 Times Exponentially Layered", Dan Deacon

This is the acapella version of "Call Me Maybe" by Carly Rae Jepsen, layered on itself 147 times exponentially increasing. In other words, self-explanatory.

mabsonenterprises.bandcamp.com

mcc replied to mcc

What I'm listening to today: "Modular Techno Performance// Verbos + SOMA Pulsar 23 + Digitakt", Raucous Studio

Some classic industrial-flavored dark-trance dance music with a lot of juicy clipping. I would describe it as "hype". It is very easy to imagine this being played in a warehouse or some other very large room full of people so if you have not been able to visit a large room full of people in the last couple years maybe this will be a good simulacrum.

youtube.com/watch?v=YdK8Xj2z5K

What I'm listening to today: "Modular Techno Performance// Verbos + SOMA Pulsar 23 + Digitakt", Raucous Studio

Some classic industrial-flavored dark-trance dance music with a lot of juicy clipping. I would describe it as "hype". It is very easy to imagine this being played in a warehouse or some other very large room full of people so if you have not been able to visit a large room full of people in the last couple years maybe this will be a good simulacrum.

mcc replied to mcc

What I'm listening to today: "AepoK feat. Pit&Gore 〓 Visa 96 ☰ Korg EMX - Electro Set live Electribe", CycLoop

More 90s-style hard rave music: a 10-minute flowing set of various songs played on the EMX-1 groovebox, a precursor to the Volca (but aimed at professional DJs rather than hobbyists). In 2004 when this device was released these sounds would have probably sounded five years out of date, but listening now in 2022 sounding like it's from 1999 only sounds charming.

youtube.com/watch?v=WrM2xCglnZ

What I'm listening to today: "AepoK feat. Pit&Gore 〓 Visa 96 ☰ Korg EMX - Electro Set live Electribe", CycLoop

More 90s-style hard rave music: a 10-minute flowing set of various songs played on the EMX-1 groovebox, a precursor to the Volca (but aimed at professional DJs rather than hobbyists). In 2004 when this device was released these sounds would have probably sounded five years out of date, but listening now in 2022 sounding like it's from 1999 only sounds charming.

mcc replied to mcc

What I'm listening to today: "Open Your Mind // First Jam with the MAKENOISE XPO", Jon Gee

So the concept here is real simple: This guy got a new synthesizer and he's trying it out, by feeding in a single semi-randomized sequence (bottom left) and turning knobs. The result is like watching something go in and out of focus, as different knob configs make more or less sonic sense (peaking in hypeness around 2:00).

The XPO is based around stereo so headphones recommended.

youtube.com/watch?v=JBNEgcV-2t

What I'm listening to today: "Open Your Mind // First Jam with the MAKENOISE XPO", Jon Gee

So the concept here is real simple: This guy got a new synthesizer and he's trying it out, by feeding in a single semi-randomized sequence (bottom left) and turning knobs. The result is like watching something go in and out of focus, as different knob configs make more or less sonic sense (peaking in hypeness around 2:00).

mcc replied to mcc

What I'm listening to today: "Unstability", Hidenobu Ito

One of the best ever songs from the early 00s "Glitch" genre was this track by this mostly-forgotten artist from the soundtrack of Boogiepop Phantom, a mostly-forgotten anime. Several cut-up synth lines (or maybe just a Reaktor script?) collide together and spill ruptured tonal organs all over the floor.

The bass in this YouTube rip is unfortunately a little de-emphasized, so subwoofer or headphones recommended.

youtube.com/watch?v=aPt4zmYRCy

What I'm listening to today: "Unstability", Hidenobu Ito

One of the best ever songs from the early 00s "Glitch" genre was this track by this mostly-forgotten artist from the soundtrack of Boogiepop Phantom, a mostly-forgotten anime. Several cut-up synth lines (or maybe just a Reaktor script?) collide together and spill ruptured tonal organs all over the floor.

mcc replied to mcc

What I'm listening to today: "Mutable Marbles experiment., eastern drone swedgling.", Jonny Riddles

"Marbles" is a randomness generator for modular racks, but for structured randomness, it's designed to make values cluster. Here it's being used to pilot timbres of hypnotic clanging noises—like gongs swinging in the wind somewhere distant at the edge of your hearing, but made of metal not of this world, gritty and distorted.

Warning, the mix is biased a bit to left ear.

youtube.com/watch?v=yaJT6mvNUw

What I'm listening to today: "Mutable Marbles experiment., eastern drone swedgling.", Jonny Riddles

"Marbles" is a randomness generator for modular racks, but for structured randomness, it's designed to make values cluster. Here it's being used to pilot timbres of hypnotic clanging noises—like gongs swinging in the wind somewhere distant at the edge of your hearing, but made of metal not of this world, gritty and distorted.

mcc replied to mcc

What I'm listening to today: "Tribute", Guano Apes

The Guano Apes were a nu-metal one-hit-wonder on German radio in the late 90s. This isn't their hit; it's their album's final track, where they cut loose and made something really *weird*, starting with funky metal then… devolving? I can't describe it. There's a sense of dread, the vocalist is trying to communicate something she seems to think is very important but doesn't quite have the English skills to get across.

youtube.com/watch?v=wNJhSs9Q0S

What I'm listening to today: "Tribute", Guano Apes

The Guano Apes were a nu-metal one-hit-wonder on German radio in the late 90s. This isn't their hit; it's their album's final track, where they cut loose and made something really *weird*, starting with funky metal then… devolving? I can't describe it. There's a sense of dread, the vocalist is trying to communicate something she seems to think is very important but doesn't quite have the English skills to get across.

mcc replied to mcc

What I'm listening to today: "Ondes Sonores", Jean François Lavielle

Some good focused modular ambient. Chaotic windchime sounds, skittering against a quiet but driving beat that gives the piece a good backbone.

youtube.com/watch?v=I1nW5HYLNU

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