Gregory's ServerMarilou Schultz, the artist, learned weaving as a child and is part of four generations of weavers. She used wool from the Navajo-Churro sheep along with traditional plant dyes. She worked from an Intel photo of the die (shown below) and used the "raised outline" weaving technique to make the borders of chip regions more visible. The lack of symmetry made the project challenging. 4/6
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 For more information on the Pentium weaving, see my latest post: https://www.righto.com/2024/08/pentium-navajo-fairchild-shiprock.html 6/6 @kenshirriff This reminds me of this sequence in the Koyaanisqatsi movie where we’re shown aerial views of a city and then…  @kenshirriff .. this is going to confuse A LOT alien archaeologist species that will come in some millennia to a desert earth and will find "ancient remains" of "human tech" .. and so those legends/rumours/theories will be born ... "Maybe the humans had a knowledge we don't have to create chips using organic materials ?" 😅
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@artandtechnic It must have been an interesting workshop! I see that Marilou Schultz is giving another workshop in October, in Rochester. @kenshirriff @artandtechnic it was an incredibly interesting workshop and I felt really lucky to have the opportunity to attend. Marylou taught it with her sister and we learned how to assemble the upright loom, setup the weft and the basics of weaving.  @lopta @artandtechnic Sorry, the weaving workshop is in Rochester NY. I went looking for an old Nat.Geog. article that showed Navaho women actually making circuit boards for Fairchild Semiconductor, because they could remember the complex patterns.  @kenshirriff I came across this blog post by chance, rapidly emailed it to a bunch of people, and then saw you had a mastodon account so I want to thank you for causing me to email my mother and friends about an interesting thing. @kenshirriff |
Marilou Schultz also created a weaving "Untitled (Unknown Chip)", 2008. Antoine Bercovici identified it for me as the AMD K6 III processor. These weavings are part of an exhibition "Woven Histories: Textiles and Modern Abstraction". The exhibition is no longer at the National Gallery of Art but will be at the National Gallery of Canada (Ottawa) in November and the Museum of Modern Art (New York) next April. 5/6