Email or username:

Password:

Forgot your password?
Ken Shirriff

I recently saw an amazing Navajo rug at the National Gallery of Art. It looks abstract at first, but it is a detailed representation of the Intel Pentium processor. Called "Replica of a Chip", it was created in 1994 by Marilou Schultz, a Navajo/Diné weaver and math teacher. Intel commissioned the weaving as a gift to the American Indian Science & Engineering Society. 1/6

A Navajo rug with a complex pattern with muted reds, pinks and blues. The pattern consists of various vertical and horizontal rectangles with stripes. Around the border are small alternating black and colored rectangles. The weaving is mounted in a wooden frame and hanging on the museum wall.
48 comments
Ken Shirriff

The weaving of a Pentium is so accurate that I could label the functional blocks of the processor. Amusingly, the gallery hung the weaving backward. The wrong side is facing outward, so the chip is mirrored. I had to flip the image to make this diagram. 2/6

A Navajo rug representing the Pentium processor. I have labeled the various functional blocks such as integer execution units, floating point unit, instruction fetch, code cache, and data cache.
Ken Shirriff

The weaving is not just a Pentium but specifically the P54C revision of the original Pentium. The first Pentium chips were too hot and slow. Intel fixed this by a) moving from 800 nm to 600 nm, b) dropping the voltage from 5V to 3.3V, and c) adding a clock driver that could stop the clock to idle parts of the chip. Intel also added 200,000 transistors to support multiprocessing; circuitry that is visible in the rug. My photo shows the P5 on the left and the smaller P54C on the right. 3/6

Two Pentium chips in purple ceramic packages. The lids are removed to show the dies inside. The dies are surrounded by gold-plated pins. The chip on the left is larger than the chip on the right.
Ken Shirriff

Marilou Schultz, the artist, learned weaving as a child and is part of four generations of weavers. She used wool from the Navajo-Churro sheep along with traditional plant dyes. She worked from an Intel photo of the die (shown below) and used the "raised outline" weaving technique to make the borders of chip regions more visible. The lack of symmetry made the project challenging. 4/6

The Pentium rug next to an Intel photo of the Pentium die. I flipped the rug image to match the die. The die photo has very bright reds, greens, and other colors. The rug has the identical pattern but with muted traditional colors.
Ken Shirriff

Marilou Schultz also created a weaving "Untitled (Unknown Chip)", 2008. Antoine Bercovici identified it for me as the AMD K6 III processor. These weavings are part of an exhibition "Woven Histories: Textiles and Modern Abstraction". The exhibition is no longer at the National Gallery of Art but will be at the National Gallery of Canada (Ottawa) in November and the Museum of Modern Art (New York) next April. 5/6

A Navajo rug representing an AMD processor chip. This weaving has large rectangular regions. The colors include bright red, two shades of blue, and green.
Badibulgator

@kenshirriff This reminds me of this sequence in the Koyaanisqatsi movie where we’re shown aerial views of a city and then…

youtu.be/RSINqSvSVyM?t=350

Giles Goat

@kenshirriff .. this is going to confuse A LOT alien archaeologist species that will come in some millennia to a desert earth and will find "ancient remains" of "human tech" .. and so those legends/rumours/theories will be born ... "Maybe the humans had a knowledge we don't have to create chips using organic materials ?" 😅

[DATA EXPUNGED]
Ken Shirriff

@artandtechnic It must have been an interesting workshop! I see that Marilou Schultz is giving another workshop in October, in Rochester.

Lucienne Kennedy

@kenshirriff @artandtechnic it was an incredibly interesting workshop and I felt really lucky to have the opportunity to attend. Marylou taught it with her sister and we learned how to assemble the upright loom, setup the weft and the basics of weaving.

Roy Brander

@kenshirriff

I went looking for an old Nat.Geog. article that showed Navaho women actually making circuit boards for Fairchild Semiconductor, because they could remember the complex patterns.
But I think that was the 1970s article "The Computer", and what I still have is the 1982 issue on "The Chip", and it contributes this semi-relevant picture.
"Semi", because that's NOT a rug, but a model; it's how they had to review chip designs before you could do CAD zoom-ins.

Passepartout

@kenshirriff I came across this blog post by chance, rapidly emailed it to a bunch of people, and then saw you had a mastodon account so I want to thank you for causing me to email my mother and friends about an interesting thing.

KCRouth 🍻

@kenshirriff
this is so cool. I posted it separately before seeing your posting here. I love reading your articles and following your projects.

seismo!allegra!utzoo

@kenshirriff sure looks like Death Cab for Cutie album cover from 2008.

Rue Mohr

@kenshirriff I remember my 486DX4-100 being much faster than a P1-75. :]
... and my ALU worked properly.

tTh

@kenshirriff : Just a little question : what does TLB mean ?

Ken Shirriff

@tth The TLB is the Translation Lookaside Buffer. It is used for memory management, caching mappings from virtual memory to physical memory.

Ancients

@kenshirriff Has anyone asked the gallery about why it was hung that way, or if they actually know it is backwards?

Ken Shirriff

@ancients I asked the artist who wove the rug to see if the backward pattern was intentional. From her perspective, a Navajo rug doesn't have a front or back, and she didn't realize that it made a difference from a hardware perspective. She didn't think it made sense to contact the museum since it was near the end of the exhibition. But maybe I should contact the next museum.

Hendi

@kenshirriff @ancients please don't spoiler, rather log where it was "right and where it was wrong-sided". Each year at the Christmas market sets up this kind of abomination (inspired by artisanal pyramids driven by the rising gas from candles) and I'm always curious if they attach the electricity right or not, resulting in correct or incorrect rotation.

64 mastodonz logistics co-op

@kenshirriff @ancients filing a technical bug report on a textile display is next-level

Francis 🏴‍☠️ Gulotta

@kenshirriff they don’t have to fix it, but you should totally let them know it’s backwards

Ken Shirriff

@reconbot I sent an email, so we'll see what happens 🙂

Piggleston Pecanpants

@kenshirriff This is phenomenal. On another note, thank you for posting this as it has given me an idea of something I can do with leather scraps I generate that are too small for any other project.

The Dapper Diner

@kenshirriff the first thing I thought when I saw this photo om in my feed was, "this sort of reminds me of that Pentium chip poster I had on my wall as a kid." Amazing weaving skill.

Darryl Ramm

@kenshirriff

That is beautiful. Maybe Intel should pivot to making rugs.🤷‍♂️

John Carlos Baez

@kenshirriff - my wife does Navajo-influenced weaving, about 2 hours a day. I showed her this picture and she said "That's not traditional Navajo weaving" and looked away.

Karen E. Lund 💙💛

@kenshirriff At first glance, before reading the accompanying text, it looked like some messy bookshelves--books stacked here and there, in variously sized piles.

I like technology as much as most people and am fascinated by the inspiration of a computer chip for weaving, but I have loved reading and books since long before I ever touched a computer. So I guess what we see is influenced by what we bring from our own experience.

Now I can't help seeing both: INFORMATION.

Kathleen Lu

@kenshirriff funny, I saw it and thought it was an abstraction of a full library with a ladder behind a chair and desk piled with books

gary

@kenshirriff another example of cultural misappropriation, like the hoover dam but reversed - it may just be a free for all out there

Janet Vertesi

@kenshirriff There’s an exploitative history to this, as Lisa Nakamura at U Michigan demonstrates. To avoid paying rising labor costs, chip companies in the 60s outsourced manufacturing to the Navajo to benefit from both cheap labor and a racialized ideal of native women with “innate” nimble hands and attention to detail from weaving. When the workers demanded better wages, the company relocated manufacture.

ifyoulived.org/IndigenousCircu

Felicia Davin

@kenshirriff I came across your blog post about this on Metafilter. Really fascinating, and the weavings are beautiful. Thank you for writing it!

sunshine

@kenshirriff Amazing! Thank you for sharing! This reminds me of the Jacquard machine, a controller for looms that is the predecessor of punch-card computers. Fiber arts and computer science are sibling disciplines!
en.wikipedia.org/wiki/Jacquard

Chupacabra 78704

@kenshirriff
If we could think without bullshit we could get out of this hell. The future is in some kids mind.

Sami Koskinen

@kenshirriff Looks a little like launching a Steam game under Wayland and Plasma, which I tried during the weekend

Küpa

@kenshirriff
Hello, Ken. This is beautiful. Thank you for sharing. It reminds me of an article I wrote recently, interweaving modern and indigenous knowledge about objects and their intelligence. In it I wanted to explain, among other things, that the indigenous shaman is closer to computer engineering than a religious priest.
codigosferales.wordpress.com/2

Andrew Davies

@kenshirriff Wow, super cool. National Gallery of Art is a great museum as well.

Go Up